KISSINGER IS DEAD

Saturday, October 9th, 2010

Dedicated to Former U.S. Secretary of State Henry Kissinger, take a trip with Brian Jay Cline, Richard Abboud, Jake Wickstrom, and Johnny Punish through the 20th Century and declare it’s dead as they, Twisted Nixon, sing KISSINGER IS DEAD or as the bald guy in the last frame of the video said when he woke up “I love that new song KISSING JERRY’S DAD but what does it mean?”.  Who was that guy anyway?

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Support Indie Music Scene and Purchase the Song on the Official Twisted Nixon Store

LYRICS

KISSINGER IS DEAD   
KISSINGER IS DEAD   
KISSINGER IS DEAD         
That’s what we said       

KISSINGER IS DEAD
KISSINGER IS DEAD
KISSINGER IS DEAD
Better dead than red

Are you one of kind                                                            
Who think the feds are fighting for you                              
Or are you one of thugs                                                        
Who vote for them so you can sell your drugs                    
Either way you know your gonna crack                            
Let’s stick the knife in Kissingers back                        

Are you one of those gents
Who think mules differ from elephants
Can’t you see the government is sold
To the highest bidder and the one with gold
Now you know the cold war is dead
Hang him high, Gimme Kissingers Head

Are you a gen-xer clown
Who works for the clampdown
So pack up your goods and go over the wall
Cause Henrys dream is about to fall
Your on their shit list, so move your ass now
So we don’t wind up under President Mao
Mao, Mao, Wow!

Are you one of those kind
that think that we are out of our mind
Open your eyes and seek the truth
And take the actions to save our youth
Join the crusade its just you and me
In the service of each other we’ll set ourselves free
Free! Free! Free!
Just you and me

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Twisted Nixon on San Diego vs. Orange County Compilation Record

Saturday, September 11th, 2010

Back in 1999, Common Cause Records released an amazing compilation of 53 songs on two discs of local bands from California.  The record put the San Diego bands versus Orange County bands.   It was truly a unique work.  The record was called;

San Diego vs. Orange County

San Diego vs. Orange County Album CoverFor Twisted Nixon, they featured the punk pop hit “Left is Right”.  Below you will see a full list of the tracks on the CD. 

Click Here to Buy >>>>

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Track Listings

1. Sittin on the Roof – Headfirst
2. Organized Thurmus – Thurmus
3. Disrespect – The Classified
4. Everyone Falls – Split Second
5. Princess Gets – Furious IV
6. I Will stand with you – Against the Wall
7. Cashing in on the Millennium – LD 50
8. Swell – Pivit
9. Can’t stand you – Userfriendly
10. Smily – G-spot
11. Russian roulette – There
12. One Voice – The Cause
13. My fathers son – Lucky 7
14. Minimum wage – River Fenix
15. Invisible – Boy Wonder
16. Help me – The fabulous rudies
17. Two years – Gimp
18. Alienated – Second Class
19. you believe her – spazboy
20. work all day – agent 51
21. I witness – swindle
22. Russell hustle – notice
23. suffer – dogwood
24. 50 – Second Generation
25. Miscellaneous – Dillweed
26. High Horse – Monkey Boyz
27. Second Grade – Mr. Firley
28. Seeing Red – V12
29. Useless – Lung Cookie
30. Harmonic Disallusion – The Line
31. Give – 3PLY
32. Little Miss Confused – Alcoskalics
33. Teen Idol – Rx Bandits
34. Rebound – Rocket Air
35. Today – Nonsense
36. You Make Me Wanna Laugh – Skeletones
37. Another kind – My Superhero
38. Dream Girl – Jefferies Fan Club
39. Addicted – Bona*Fide
40. Girls Suck – Abducted
41. I don’t Love you anymore – El Scorcho
42. Sirens – Donuts & Glory
43. Chunky Monkey – Simply Kung Fu
44. Hail The Flag – The Purps
45. Time – Justice
46. Stranger – Stranded
47. Indy5000 – Headbored
48. Things – All or Nothing
49. Schmuck – Unleaded Plus
50. Left is Right – Twisted Nixon
51. Wake up and Smell Reality – Drainbramaged
52. Someone – Channel Six
53. Ebola 300 Chowda
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Meet the Long Lost First Lead Singer for Twisted Nixon

Monday, August 16th, 2010

Was Some Guy Named “Joe” the First Lead Singer of the Twisted Nixon?

California State University at Fullerton’s Most Famous Student Claims a Very Early History with Twisted Nixon

* The excerpt below is taken from an Oral History of the Orange County College Punk Scene circa 1983

Last Night, Joe, real name Joe, was torn to pieces by the crowd at The Pub at Cal State Fullerton during a Battle of the Bands show. Charged with disturbing the Peace Process, the curtain was dropped on Joe just before he finished the last verse of SHOULD I STAY OR SHOULD I GO while Johnny Punish played guitar and Richy Abboud pounded his drum.

It was said that Joe was to sing “Hateful”, London’s Burning”, Somebody Got Murdered”, and I’m So Bored with the USA”.  Spectators claim he was wearing a U.S. Military jacket with the flag of Palestine emblazed in gold on his lapel and screaming obscenities. Some say that the JDL’s Irv Rubin was in the crowd taking pictures. This could not be confirmed. Just one song in, the crowd of future republicans and neo-cons turned on Joe and dropped the heavy curtain on his head, thus effectively ending Joe’s tenure as Anaheim’s most notorious punk rocker.

Later charged and convicted by Cal State Fullerton Police with being the most famous student on campus even though he never officially enrolled, Joe’s short but infamous tenure as College Student without Portfolio and lead singer of the future Twisted Nixon was cut down by a public who could not take it anymore.

Joe was punk at the extreme. The most outrageous, the most obscene. He was not there for his singing talent. At best he was just mediocre. No, he was there for what he stood for. He picked fights freely….not even his friends believed his was normal.

At his garage office, there were exaggerated and unsubstantiated rumors of thuggery, strategic planning of protests, and music by The Clash. In his mobile office, namely his white Audi Fox, there were rumors of enemies buried in the wheel wells and speeding races down Euclid Ave as Joe chased down local antagonists. Joe was even seen at Anaheim’s Famous Shakey’s Pizza picking fights with some alien named Galaga! He claimed that Galaga was a Mossad Agent and the handlers where what he called the ZOG (Zionist Occupied Government), sometimes known as the U.S. Government.

On Campus, Joe was both respected and feared. A Thug, Dictator, and Politician. He was hard to peg. Who was this Joe? At the Cafeteria, It was Joe’s world. At his table, you were offering your respects or acting as his personal security force or you were his sworn enemy and a public pariah.

Back the Pub, he was too much for the crowd of wankers, yuppies, and future republicans. The stage hands at the Pub at Cal State Fullerton dropped the curtain on the lead of singers head after just one song this crystal night, thus ending his tenure as one of Anaheim’s most notorious and infamous punk rockers.

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Stone Throwing Riot Back Cover

"Joe" is seen in the background holding what looks to be an assault rifle

* DISCLAIMER – Literary License was taken in the above oral recallection of this fabled history taken from a jaundice eye. “JOE” is a mythical figure and any resemblance to a real person is purely coincidental. After all, does anyone really believe this story?  Wink! Wink!

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Las Vegas Stripper Empties Twisted Nixon’s Pockets

Sunday, August 15th, 2010

Who Really Was “Yvette”?

Learn the Truth about the Hottie that Stole Twisted Nixon’s Heart and Left them Broke and in Love

Written in early 1998 by Twisted Nixon when Yvette, the infamous Las Vegas exotic dancer stripper hottie knocked the pants off the band at the notorious Olympic Garden on Las Vegas Blvd. Referred to by the band as “The O.G.”, the boys went out for what they thought were a few beers and some eye candy relaxation when she walked in. They must have been ripe for the picking. After all, they just finished up a long rehearsal for an upcoming gig and they were looking for some new energy.

Well, it seems the stars were super bright, the galaxy was burning hot, and the moons were in full view aligned with the love gods as Yvette strutted in, shook it down, and turned Twisted Nixon from a punk band to a bunch of lapdance fools throwing down every last Andrew Jackson swearing that she really did love them only! Yeah Right!

Still dazed and living off the intoxication that was Yvette, the band was off to California where, in their Cali Storage Studio (a shitty rented U-Store It Garage), they penned Yvette; an ode to the stripper girlie that stole their heart and emptied their wallets.

“The O.G.” was the place and Yvette the inspiration as it took just 5 inspired minutes to do the song up with everyone in the band participating. Johnny Punish threw down the intro lick and said “In Walks in Yvette……” and the band just kicked in adding the melodies and back ground vocals that have become it’s signature. It was pure song magic. Perfect, just like Yvette.

When the band returned to tell Yvette about her song, she said “That’s So Sweet. But my real name is Julie”. For a brief second, the band thought to change the song to “Julie” but then said “Yvette, Dance for me and take all my money………” Rock On Yvette!

Produced by Paul Hampton of The Skeletones and Recorded at Riverside Studios in Downtown Riverside California. The song never made it to an album and was never released, until now!

Lyrics

In walks Yvette
with a cigarette
And a smile on her face
Like she owns this place

She’s only 21
Yvette justs wants to have fun
And make tons of cash
This I understand, 234

Oh! Yvette
Why don’t you make me a bet
That your eyes will speak to me
Tell me what do you really see

Just another Joe
its okay I already know
That it is just your job
And I’m another slob

Yvette I pay so don’t ever stop
I don’t care if they call the cops
Yvette you’re the best so I’m telling you
Yvette, Yvette, Yvette I want you—

To dance for me
And take all my money
Its okay I don’t care
I just want to feel your hair

All over my face
Cause you’re the best in this whole place
So let me feel your lovely skin
And let the love affair begin

Do you feel it too?
Or am I just another fool
Who fell for you
Just like all the others do

Strange to my Surprise
I see that glow that glow in your eyes
And I know she was feelin it too
What are we gonna do?

For one moment in time
The perfect girl was all mine
And I’ll never forget
I never forget , I , I , I Yvette

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The Riot Over Who Wrote Stone Throwing Riot

Sunday, August 15th, 2010

Stone Throwing Riot Intifada Palestine Header

Twisted Nixon’s Classic Rock Opera About the Palestine Intifada Gets Rocks Thrown at It By Every Band Member Claiming they Wrote the Song

Written in winter of 1997 after the 1st Palestinian Intifada, this song was later dedicated to Mohammed Al-Dura, the young 12 year old boy who shot dead in the arms of his father by the guns of Israeli Soldiers on Sept 30, 2000.

But like with most successful classics, there is a plethora of credit takers lurking and claiming stake to it’s ownership. Frankly, it’s an ongoing riot about who wrote Stone Throwing Riot.

The self-appointed band poet and resident coffee drinker Joe Allen claims the idea to be his and that he co-wrote the lyrics.

Johnny Punish says that he wrote the melody of the song in his studio office, called Joe on the phone to get some ideas, thought them to be rubbish, and just added the Joe Allen line “While United Nations falls on it’s face, And the US Congress, what a disgrace”. Although he can’t confirm that it was directly attributed to Joe Allen or that he in fact wrote the lyric himself.

Richy Abboud claims he wrote the drum parts and added the backing vocals while Jake “Skoor” Wickstrom added the bass lines, especially the cool breakdown part of the song. Brian Jay Cline says it was his helicopter guitar lead and his interpretation that led to this song becoming a rock classic. Paul Hampton of The Skeletones, the producer who slogged away in the studio in Riverside California for days, says “What, without me….um, whatever!”.

When the band was asked in February of 2009 who wrote the song how the song was written, they replied via email with the following;

 JOE ALLEN
” I came up with the title and lyrics, Johnny Punish changed the whole song execept the Title & the US Congress UN line”.

RICHY ABBOUD
“The drums are what made the song. Everybody sucks except the drummer. I should take the credit for everything and everyone fuck off.”

BRIAN JAY CLINE
“The earthwquake…..it was a sign when Paul and I were recording at the bottom of that studio below street level in the dilapitated old beaten office building in downtown Riverside California. We were thinking this is no way to die here a cement crupt. So yeah, I personally don’t give a rat fuck who wrote it as long as I receive 25% of whatever money it generates. I gotta live dammi! Shit, I wrote it……………. fuck all you knuckleheads and white trash pricks.”

ALLEN JENNINGS (roadie): “I was there, I want my cut”

JOHNNY PUNISH
“They say the great enemy of the truth is very often not the lie — deliberate, contrived and dishonest — but the myth — persistent, persuasive and unrealistic. What is left in the rubble of truth is conspiracy theory sprinkled on the egos of rusty old men who confuse myth and truth. Worse, time has not been kind and decay of truth has been pervasive.”

“They say old myths which are believed in tend to become true. I say, let the myths continue and the legend grow. Personally, I encourage each and everyone who loves this song to continue to lay claim to it. I, for one, will contribute and continue to perpetuate its’ myth or its’ truth, whichever you prefer. So yes I shall scream to the masses that I, in-deed, sang this song. Yes, I created it based on the idea posed by the simple Clash lyric in the protest anthem “White Riot” that we, the sons of Palestinians, needed a “Riot of My Own”. For me, that was the idea and the basis of this song.”

“And so yes, I will even yell louder to lay claim that I wrote the melody with chords on my acoustic and even slowly and deliberately penned the chorus including the back-up vocal idea to empower my fellow band mates to catch hold of it and make it their riot too. This action would serve two fold, the aforementioned spiritual empowerment of teamwork and more prectically, to help this determined charger mask his vocal deficiencies making the song much more palatable to the ear…… Is this a truth? A myth?”

“Like Palestine dying in darkness of blue and brown suited policy wonks in the bowels of Foggy Bottom, this song is now a myth to be talked about by future generations in romantic false truths. Like the lost city of Atlantis, so goes the truth about who wrote Stone Throwing Riot.
And so it goes…….”

On the Eddie “Somalia” Kraus taken photo that was the Back Cover of the Stone Throwing Riot CD, there is circumstantial evidence that Joe Allen was indeed part of the song. You can see that shadowy character carrying what looks like an assault weapon” says Johnny Punish. “But we don’t know for sure if it was Joe Allen or just a passerby who slipped into the shot. That could be him.”

Whichever is true about this song, its’ clear that Stone Throwing Riot is a classic punk rock song written, recorded, and performed by a ridiculous bunch of ego driven young bucks who called themselves Twisted Nixon. It truly has become a cult underground punk classic for the ages and is widely considered by critics to be the signature song of Twisted Nixon.

Palestinian Flag and Twisted Nixon

Lyrics

Settlements, on the West Bank
Armaments, in the Gaza
Terrorists, on the border
What’s this? A new world order
Security by your guns
Oppression by your religion
Employment for you if you beg
And there’s kids with rocks and they’re dropping dead
It’s a

Stone Throwing – Riot
Stone Throwing – Riot
Stone Throwing – Riot
Stone Throwing – Riot

Peace Process, what a fable
Netanyahu, at the table
Laughing at, the secretary mame
With US Cash, in his hand
Smart money brothers look what you did
Advancing zionism in the name of David
While United Nations falls on it’s face
And the US Congress, what a disgrace

A little girl sleeps in tonite
While her brother packs his stones for the fight
And he takes aim at the soldiers machine guns
And takes a bullet in the back for freedom on the run
Cause they have none

Knocking down homes, in Ramallah
Killing olive trees, where is Allah?
Got your F-15s, with cellular phones
Better duck kids, throwing stones
Born American Beebee boy
You have all the guns and American toys
But your not from there but you moved right in
Let the Intifada begin again

They’re desperate, Riot
Oppression Taxation, Riot
No Representation, Riot
I am talking big money man
No Peace for Land!

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Left is Right for Twisted Nixon

Sunday, August 15th, 2010

The Story of Twisted Nixon’s Most Popular Song

Written in 1998 after Johnny Punish who was sitting at the Las Vegas Hilton Sports Book and was hit by the absurdity of the place. It absorbed him and he wrote the phrase “LEFT is RIGHT for me” on a drink napkin. That night in a studio in the seedy back alleys of Las Vegas, LEFT IS RIGHT was born when then lead guitarist, Brian Jay Cline, wrote the clever verses while Twisted Nixon added the melodies.

Sung by Brian Jay Cline, Left is Right is clearly Twisted Nixon’s best ever in terms of a pop anthem. This song is the most requested song by fans.  It was produced by Paul Hampton of The Skeletones.

Lyrics

Well the weight of the world is – FALLING
On my back I”ve been – CRAWLING
The state of affairs is – APPALLING
And the 6 o’clock news keeps – CALLING
I’ve been trying to see the world through their eyes
Where black is white and day is night

Left is Right
Left is Right
Left is Right for me

Well negotiations been – STALLING
The United Nations keeps – CALLING
The skeletons you’re –HAULING
Won’t hold you when your –FALLING
I’ve been trying to see the world through their eyes
Where day is night and black is white

Left is Right
Left is Right
Left is Right for me

Keep your head in the sand and you’ll never know
What’s waiting for you in the depths below
Don’t believe everything that you read
Take what you want and keep what you need
I’ve been trying to see the world through their eyes
Where day is night and black is white

Left is Right
Left is Right
Left is Right for me
I said Left is Right
Left is Right
Left is Right for me
For me, for me, for me!

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Save the Nico-Teens

Sunday, August 15th, 2010

THE SONG DEDICATED TO SAVING THE NICO TEENS

Written by Johnny Punish in 1997 and performed by Twisted Nixon, this song was a fan favorite at concerts with it’s hard driving guitar and strong anti-smoking message. On drums is Gary Richter, bass Jason “Skoor” Wickstrom, Guitars performed by Alex Taush of The Skeletones, and produced by Paul Hampton at Skeletone Studios in Riverside California 1997

Lyrics

Twelve year olds do what there told by the Marlboro men
Get to them early to create the clients for 2010
Defensless kids have no recourse to calm their fears
Because their parents have clients of theirs for years and years

Corporations eye their prey like tigers at war
Devour our kids and spilling their blood to make themselves more
Is it any wonder that the powers that be are passing the laws
Cause getting paid off is a Washington right, So fight for the cause

Nico-Teens, Nico-Teens, Nico-Teens, Nico-Teens
That’s what I mean
Calling Nico-Teens

Vending machine disciples all over our schools
Just thank Bob Dole and the kangaroo clowns who make up the rules
Killing our youth is the American way so go for the thrill
Support your local farmer and tobacco crops that kill and kill

Nails in the coffin and lung rockets are stronger than hash
A silent genocide that you support with your tax money cash
So listen up a ye punkers and nico-teens
Just give them the finger and keep alive all your dreams

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The Story of Mister Sick Money Man

Sunday, August 15th, 2010

Mister Sick Money Man About a Real Con Man Many Refer to as “The Legend”

Written in 1997 by Johnny Punish. The song was written directly about Johnny’s dad who is a professional con man.

Originally from Brooklyn New York, Johnny’s dad who everyone callled “Charlie” was the Sicilian guy with a huge cigar in mouth, driving his caddy to the “the track” every day at 1pm to make the daily double, with a wife at home and his mistress at the Copacabana.

Johnny’s dad grifted his way in New York City area until he rubbed the wrong mafia guys by not paying back a loan. Well, he was politely asked to leave for good after both his legs were broken. Out of courtesy to Johnny’s grandfather Alphonse, a business associate of the mob, Charlie’s life was saved.

So at 5 years old Johnny and his family fled to the west coast of the USA, namely California where the grift continued and found it’s way into Las Vegas where Johnny calls home.

Johnny’s dad played the Vegas strip as one of it’s biggest con man to ever grace it’s city. From the late 60′s until the mid 80′s when the corporations came into to Las Vegas and took down the mob control, Charlie ran the show as Dr. Solomon, Chick Solomon, and even posed as Jerry Lewis signing autographs for fans. Running in his Roll Royce convertible Charlie was the toast of the town where god was money and Charlie was god.

Johnny learned the hard way on the gambling streets about money, it’s power, greed, and how it can leave good people broken while the bad guys destroyed. Johnny’s got a million stories about Vegas and Charlie. So this song is dedicated to Mister Sick Money Man who left his mark on a broken family and millions stolen from really good people. Scars and Guitars is all that remains for Johnny as he sings this cathartic anthem for his dear old dad!

The lead guitar is by Alex Tausch and the song is produced by Paul Hampton, both of the The Skeletones

Lyrics

Funny how you look at me
Is this what you want to be?
You make me sick with your pathetic undress
Again you prove you’re like all the rest
All the rest and you’re such a mess

Mister Sick Money Man
Foolin’ the weak
Mister Sick Money Man
You’re just a freak
Mister Sick Money Man
I’m building my rage
Mister Sick Money Man
Get off the stage, off the stage!

My friends think that you are the kind
Who leads the way to expanding the mind
But a demon in disguise is a what you are
But you can’t be like me cause you’ve gone too far
Gone too far and you’re not a star

To be on top you must understand
The dignity of man is what is at hand
You sick money man you are deranged
Your actions speak so loud you’ll never change
Never change, and you are deranged

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Hit in the Head by Johnny’s Revenge

Sunday, August 15th, 2010

The Personal Story Behind the Tragic Song “Hit in the Head”

Hit in the HeadA fan favorite in the most pit, this song seemed to always get outstanding play at concerts. Because the chorus can sound like just any fight to some, the most pit was always biggest when this song played to live audiences. However, the song has a much deeper and more sinister back story.

The song idea actually came from Johnny Punish and his real life experience with domestic violence.

His mother, Marcelle Tawil, was a victim of spousal abuse. Over the years, she was beaten and terrorized almost daily by a crazed and sick maniac causing irreputable harm to the family. Eventually she died as a direct result of the breaking of her spirit.

The very sad story is told through the eyes of a very young traumatized boy Johnny Punish on that fateful day when, as a witness to the crime, he watched in horror as the drunken out of control maniac posing as a father broke down the door and beat his wife senseless with a belt buckle fracturing her head as the reddest of red blood spilled onto the floor. By the graces of god, she survived that awful night to live one more day in the hell that was this so-called home only to wither away and die a slow broken death.

Born from pain, Twisted Nixon, the band added the melodies to the truth that make up this powerful and very painful song. Brian Jay Cline added some awesome guitar work with Jake “Skoor” Wickstrom on the narration and Richy Abboud providing the back beat. Paul Hampton of The Skeletones produced the song. It was recorded at Skeletone Studios in Riverside California in early 1998.

For obvious reasons, Johnny Punish always had trouble singing this song in public but did so because the message was an important one to get out.

Lyrics

Like an ant on the wall
Oh God I was so small
I could only stare and look
While her face slowly shook

Marcelle TawilHe raised his drunken arm
With a belt buckle and his charm
He struck with a sudden whack
And the screams of a murder hack

HIT IN THE HEAD, HIT IN THE HEAD
There’s blood flowing down her brain
HIT IN THE HEAD, HIT IN THE HEAD
Its driving me insane
HIT IN THE HEAD, HIT IN THE HEAD
Her death is on your back
HIT IN THE HEAD, HIT IN THE HEAD
I’m coming after you jack
Let’s Go!

When your a kid you have no say
Over big people and their ways
You absorb all the blows
And then you shake down to your toes

A killers on the loose
And he’s got no fucking excuse
So I’ll hide in the shadows on time
And strike him down in my mind

Now 18 years have passed
And I’m strong and I am running fast
When you murder, you must pay
Look in my eyes for your judgement day
You can’t run and hide
I the son of your murdered bride
Of course, you forgot that day
Remember me, gonna make you payeeeee

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ROBIN WILLIAMS: The Movie Star and The Video Clerk

Sunday, August 15th, 2010

* Johnny’s Note: Below is an article written by my great friend Brian Jay Cline.   I share his compelling story

Robin N’ Me

by Brian Jay Cline;  Songwriter and Video Clerk

So there I was, in the spring of 1991, painfully clawing my way through a fifth year of college, and still working at the video store on the ritzy, glitzy Upper East Side of Manhattan. Robin Williams, who’d been in town filming The Fisher King, was making regular evening trips to our fine rental establishment.

Not having any knowledge about this project, I initially found it rather peculiar when he’d show up looking as if he’d spent a week living on the D train, surviving on nothing but puddle water and scraps. In the dark comedy The Fisher King, Williams portrays a psychologically traumatized character named Parry, who slides into mental illness and homelessness after witnessing his wife’s brutal murder.

During the production, Williams had taken up temporary residence across the street in a super plush, newly constructed, high rise with his former babysitter and now expectant wife Marsha, who looked as if she was about to pop any minute. They’d regularly come in together, rent a couple of flicks, and disappear into the night, arm and arm: The pregnant lady, and the only New York City bum with a Hollywood publicist.

During my tenure at Third Avenue Video, I had become all but immune, and even indifferent to my daily interactions with the vast array of entertainment heavyweights that walked through our door, gracing us with their presence. I distinctly remember that Mary Tyler Moore once yelled at me for accidentally giving away her copy of Out of Africa. Maury Povich rented adult films from us back when he was just a lowly Fox network infotainment fixture, and poor old Howard Cosell made the occasional appearance donning his charcoal toupee, and stinking up the joint something fierce, with his old fogey stogey.

Needless to say, when it came to dealing with the “Stars”, I didn’t gush. So Williams had been showing up off and on for about a month, when one afternoon the phone rang. I answered “Video” and a very calm voice on the other end of the phone said “This is Robin Williams…I’ve got a video stuck in my VCR, do you think you could send someone up?” So now I AM gushing, and thinking to myself “Holy Shit!! I’m going to be getting some serious face time with one of the most famous comedic actors on Earth.”

I still remember the day after the television premier of Mork and Mindy. Every kid in my fourth grade catholic grammar school class couldn’t stop saying “Shazzbot” or “Na-Noo-Na-Noo”. It was an extremely significant cultural phenomenon for an 11 year old! I said “that shouldn’t be a problem sir”, grabbed a small screwdriver set, and flew out the door with the same animated determination you’d see in an elderly couple, wearing matching sweat suits, doing a high speed power walk through central park. So I got there in like under a minute, or some record breaking amount of time. The doorman gave me a nod letting me know he’d gotten “the call”, and I’d received the necessary clearance to proceed.

Within seconds I was rocketing towards the heavens in a finely crafted brass and mahogany lift, just minutes away from a private meeting with non other than ROBIN WILLIAMS. The 30+ story ride gave me plenty of time to imagine a host of possible scenarios: “Gee Brian, what’s a funny, good looking young guy like you, doing working at a video rental store?….I think I might have a part for you in my next………, That’s the funniest thing I ever heard Brian, did you ever think about writing comedy?

Brian…..do you know what a personal assistant does?” Also running simultaneously in my head was a collage of every movie, bit, character, and voice I’d ever heard him do or say. I didn’t want to be caught off guard, if he made a reference to one of his lesser known works during our chat. So, I rang the doorbell with nervous anticipation, and waited for what seemed like an eternity. There were only two doors on the entire 33rd floor. Something told me this was no pied a terre.

And then all of a sudden the door OPENED, and there he stood……. A short, stocky, clean shaven individual vaguely resembling Robin Williams, in a t-shirt and shorts, who said in almost a whisper “thanks for coming up.” And In a split second, it all turned into an extremely unglamorous event. I was led through a series of tastefully furnished rooms to the scene of the crime. The VCR had been carefully extracted from its entertainment center home, and placed on the floor for me “The Expert” to perform the required surgery.

Wow, there I was, expecting a rip roaring, knee slapping verbal roller coaster ride with the genie from Aladdin or even the mad-libbing disc jockey from Good Morning Vietnam, and instead the only sounds in the room were of Mr. Williams doing an academy award winning impersonation of a wall, and of me letting out blasts of nasal exasperation as I tried to extract his very worn video cassette and its tangled viscera from an extremely uncooperative VCR. Upon further examination, and discovering that the cassette didn’t even belong to our rental shop (It was a homemade copy of the sixties TV show “The Avengers”) I very politely conveyed to Mr. Williams, that, regarding the level of technical proficiency needed to remedy this problem, I was simply out of my league.

I then performed the painstaking task of re stuffing the video and it’s tentacle like entrails, back into its rectangular plastic home, and reattaching the black metallic VCR shell without making it look in worse than it did when I’d originally found it. Upon completion, we both proceeded to the exit for my inevitable departure from his private and shockingly subdued world. Now here’s the kicker…In NYC, it was, and still is quite customary for individuals in any service related industry to be given a tip for outstanding or even remotely satisfactory performance. In my book, this definitely qualified as outstanding, even with the unresolved outcome. Mr. Williams, opened the door, gave me the obligatory thaaanks, accompanied by the most painful attempt at a smile I’d ever seen, and sent me on my way. Empty handed.

As I headed for the elevator, I thought to myself “Damn Sam, Did Robin Williams just totally stiff me on the tip?” Yes folks…he did. So, I showed back up at the store, told everyone my tale and the general consensus among me and my coworkers was that Robin Williams was a total wanker. It wasn’t until many years later, I realized that this story was far more valuable than any tip he could’ve given me. After that, it all gets a bit hazy, I can’t even remember if he ever came in again.

Oh well, The Fisher King is still one of my Faves! Looking back on those days, I still chuckle inside, thinking to myself that before the technological revolution ushered in by the Internet, and the concept of being “online”, people would actually rent video tapes. Yes, big, bulky, be kind…rewind video tapes. I even remember when you had to specify if you wanted VHS or Beta!! Ahh… the good old days! Every now and then I catch my old buddy in a rerun of Mrs. Doubtfire, or on a late night talk show, riffing with any one of his dozen or so patented “improvisational” voices.

The poor guy’s even managed to get himself divorced again, and do another stint in rehab. But no matter how many of the ups and down’s I’ll see Mr. Williams go through, I will always take heart knowing two things. The first one is, that no one else on this planet could’ve pulled off a movie version of Popeye, and the second is that my silly little story about The Movie Star and The Video Clerk will forever encapsulate a moment in time for me, when things were a little cheaper, life was a bit simpler, and getting chewed out by Mary Tyler Moore and being pissed off at Robin Williams was all in a day’s work.

ABOUT THE AUTHOR:  Brian Jay Cline is a musician, songwriter, & entertainer. 
For songs, discography, and more, visit the Official Brian Jay Cline web site at www.BrianJayCline.com

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